Lifelogging is an emerging trend of recording every, or nearly every moment of your life. A simple example of lifelogging would be wearing a video recorder that would record continuous video and audio of everything you see and do. Ted Chiang used this example to speculate about how lifelogging would change our society. At the end he answered the audience's questions and engaged in a discussion regarding some points, such as: would lifelogging encourage us to craft our lives as stories, and thus become better people? Doesn't forgetting play a big role in getting over a trauma? Doesn't forgetting go a long way towards forgiving? What if your memories are hacked? Who has control over shared memories?
Topic: One of her editors gets our Guest of Honor to talk.
Kage Baker was the oldest girl of seven kids; she started writing at age 9. Some of her earliest memories was changing diapers for smaller kids; when her biological clock started ticking, she decided "been there, done that" and never looked back, never felt like she missed out on anything by not having children.
Vernor Vinge talked about how he got started writing science fiction, about numerical parametrization of group minds, about some characters in "Deepness in the Sky", and, of course, his brainchild -- the concept of Singularity, the ways it could happen, and what current research might lead to it.
Slipstream is literature that has fantastic elements that nevertheless can't be characterized as science fiction, fantasy or horror. It is the literature of the fantastic that's left after you remove the defining characteristics of those three genres. The negative space.
Synopsis from ArmadilloCon program book. A plethora of new markets for what we used to call slipstream has blossomed over the past two years, with all sorts of new monikers like "The New Fabulists," "Interstitial Arts," and "Ambient Fiction" -- Conjunctions 39, Sweeney's Mammoth Treasury of Thrilling Tales (with a new volume appearing in the fall), Polyphony, Album Zutique, Lady Churchill's Rosebud Wristlet, and so on. What distinguishes the work appearing in these journals from more conventional SF, fantasy, and mainstream fiction? Has slipstream finally arrived as a genre in its own right?
Two of Sharon's closest friends, authors Kay Kenyon and Louise Marley, ask her about her life and her work. How does she manage to find time for writing while having a full time job? How many "trunk books" she wrote until she got published? Why are mothers so terrible in her books? And many other questions.
Following the ArmadilloCon tradition, toastmaster K. D. Wentworth gave a humorous speech. She addressed the audience as a fourth grade schoolteacher, which she actually was for the most of her working life. She chastised SF fandom for forgetting their geeky, eccentric roots and becoming too mainstream. Then she and several other guests performed "The Fan Eye for a Mundane Guy" makeover (modeled after a then-popular television show "Queer Eye for a Straight Guy" on a guy they picked from the audience.
Note: My transcription of this speech is not completely accurate since I had to work off of a poor quality tape recording.
Pictures from ArmadilloCon 2004 can be found in my photo gallery.
Mel White (who has a Ph.D. in information sciences), Rachael Acks (a geologist), Paige Roberts (data scientist), and Sigrid Close (a professor in the Department of Aeronautics and Astronautics at Stanford University and ArmadilloCon 2014 science Guest of Honor) at the Women In Science panel
Mel White (who has a Ph.D. in information sciences), Rachael Acks (a geologist), Paige Roberts (data scientist), and Sigrid Close (a professor in the Department of Aeronautics and Astronautics at Stanford University and ArmadilloCon 2014 science Guest of Honor) at the Women In Science panel.
Fannish Feud, the pro team, left to right: Thomas (Martin) Wagner (filmmaker and science fiction reviewer), Sigrid Close (a professor in the Department of Aeronautics and Astronautics at Stanford University and ArmadilloCon 2014 science Guest of Honor), Ted Chiang (SF/F author and writer Guest of Honor), Stephanie Pui-Mun Law (artist GoH), Jacob Weisman (editor GoH).
K. G. (Kevin) Jewell, John Gibbons, Janet Kathleen Cheney, and Ted Chiang at the "Mathematics, magic, and mystery" panel. The panel started out with a discussion of a book by the same name that explored mathematical "paradoxes" (many of them pretty simple and not paradoxical at all). But the larger purpose of the panel was to explore how mathematics influences science fiction. Apparently, there isn't much science fiction -- at least not very well known -- where the central idea is mathematical. Our panelists mentioned these works: