at the "Mathematics, magic, and mystery panel". The panel started out with a discussion of a book by the same name that explored mathematical "paradoxes". Many of them were pretty simple and not paradoxical at all -- for example, the trick where you divide a right triangle into squares, and reshuffle them to make an empty square, thus making a part of the triangle's area to "disappear".
Sigrid Close (a professor in the Department of Aeronautics and Astronautics at Stanford University and ArmadilloCon 2014 science Guest of Honor), Patrice Sarath (SF/F author), Ada Palmer (historian and SF/F author), and Ted Chiang (SF/F author) at the Remembering The Future panel panel. The panel explored the question, is time real or an illusion?
At ArmadilloCon 2014, Jayme Lynn Blaschke interviewed Ted Chiang, one of the two writer Guests of Honor. Here are some topics they talked about: linguistics, Sapir-Whorf hypothesis and "The Story of Your Life", the possibility of it being turned into the movie -- this was 2 years before the story got turned into the movie "Arrival"; is Ted Chiang's fiction influenced by the environment; writing the ending first, his story length, and whether he is going to expand "Liking What You See" into a longer story; does he ever plan to write a novel; the first stories he wrote as a teen; who were his influences; and what appeal does he find in discredited scientific theories, such as preformation (on which his story "72 Letters" is based).
Panelists at this event are supposed to come up with mundane and science-fictional uses for objects supplied by the audience. They can also use objects they brought themselves. This year's team is C. J. Mills, Steve Wilson, and Chris Roberson. You may never look the same way again at a neti pot, metallic squirrel, or a USB hub.
Synopsis from ArmadilloCon program book: Why have the cyberpunks abandoned the future? Do William Gibson's "Pattern Recognition" and Bruce Sterling's "The Zenith Angle" evidence a trend? (And don't forget the pre-2001 "Cryptonomicon" of Neal Stephenson and "Zeitgeist" of Sterling) Are they science fiction? What makes them different from more mainstream techno-thrillers? What does it mean for the future of SF?
ArmadilloCon traditionally has a panel "What You Should Have Read This Year". The panelists are usually people who are closely familiar with science fiction, fantasy, or horror genres: most of them are book sellers (like Willie) or editors (like Diana Gill). In this panel they talk about new noteworthy books that they recommend to everybody who likes these genres. This year the panelists were Bill Crider, Willie Siros, Diana Gill, and Zane Melder.
Some memorable or amusing moments from panels where I didn't take enough notes to yield an article of its own:
Looking for an idea? Watch our panelists brainstorm.
What's the latest strange discovery? Our panel talks about the most recent results and odd topics they've seen.
Looking for new ground in speculative fiction, art and science.
On "Stump the Panel" the panelists are supposed to come up with mundane and science-fictional uses for objects supplied by the audience. Indeed, in Rhonda Eudaly's, S. Andrew Swann's, and Lou Antonelli's imagination things like a pen, a nail file, and a box of Tictacs become something completely different. Especially the nail file. Rhonda had to restrain her imagination regarding this object, because there were children in the audience. :-)
Here is an article about an older "Stump the Panel" at the ArmadilloCon 2006, featuring James P. Hogan's inimitable wit.
Pictures from ArmadilloCon 2008 are available in my photo gallery.
Synopsis, according to the ArmadilloCon program: You need a religious society for your work, but you have no idea where to begin and how complex you should make it. Should you have a couple of pages written down? Or should you make another book that describes the entire pantheon and religious rites?
Pictures from Armadillocon 2004 are available in my photo gallery.