Panelists discuss the process of self-editing. And no, we don't mean just chucking it out the window and starting over. How can you honestly and dispassionately proof and edit your writing? Start with the ending and write toward the beginning; kill your darlings; summarize a scene in one sentence. Finally, funny tales from editors' trenches.
Panelists: Rosemary Clement-Moore, Melanie Miller Fletcher, Alexis Glynn Latner, Julia Mandala, Barbara Winter
Pictures from ApolloCon 2007 are in my photo gallery.
More blog posts from ApolloCon 2007 (in my blog)
More blog posts from other ApolloCons (in my blog)
On September 25, 2005, Book People, an independent bookstore in Austin, TX, hosted a meeting with Neil Gaiman, a phenomenally popular author. Gaiman read an excerpt from his new novel "Anansi Boys", answered questions and signed books.
Gaiman is so funny it's suspicious. Each of his answers to the audience's questions was like a mini stand-up comedy. He cracks a joke in every other sentence. Can he really improvise that well? Or did his agents plant people in the audience with pre-approved questions? :-)
More pictures from this event can be found in this photo album.
On October 4, 2004 Neal Stephenson was at Book People in Austin, TX, where he read an excerpt from his latest book, "The System of the World" (the third and the last one in The Baroque Cycle), gave a talk and signed books. Here are the questions the audience asked him, and his answers:
On September 25, 2008 Neal Stephenson gave a reading from his latest novel Anathem, signed books and answered audience's questions. This is Stephenson's third reading and Q/A at Book People over the last 4 years. Some of the questions haven't changed much from year to year. Are his projects getting bigger and bigger? Is he ever going to write something short? Which is the favorite of the novels he has written? Why does he prefer to do his research in books, as opposed to search engines? Hint: serendipity. Are there new technologies he is excited about? Other questions are new. Does he have any ideas on posthumanism? Has he been making something cool in the workshop lately? Why is Anathem set on an imaginary world, not Earth?
Panelists at this event are supposed to come up with mundane and science-fictional uses for objects supplied by the audience. They can also use objects they brought themselves. This year's team is C. J. Mills, Steve Wilson, and Chris Roberson. You may never look the same way again at a neti pot, metallic squirrel, or a USB hub.
William Gibson gave a reading, answered audience's questions and signed books in Barnes & Noble on June 11, 2008. He started by saying he was glad to be back in Austin, a city that 14 years ago was ground zero for the "so-called" cyberpunk movement. Then the microphone failed. The irony of this happening right before the speech of a writer who pioneered a new attitude towards technology in science fiction did not escape the audience. After a few attempts by B&N staff to fix the microphone, Gibson gave up and said he'll do a reading a capella. "I don't let technology get in my way," he said. "People have been reading books aloud for centuries. I'm gonna do it the way Byron did it, the way Dylan Thomas did it, except sober." And he read part of the first chapter of his latest novel, "Spook Country".
Then Gibson answered audience's questions. A few of those questions were specifically about "Spook Country", and they didn't make much sense without having read the novel. Others were about writing and Gibson's view of the world in general. Here are a few questions and Gibson's answers. Does he consider his works to be dystopian? Does he create his characters deliberately, or do they spontaneously generate themselves? The latter is definitely the case, as in an example of a character that grew out of a white room. Is there really such a cultural phenomenon as cyberpunk? Last, not knowing much about technology can enable a SF writer to see the forest for the trees.
Pictures available in my photo gallery.
Synopsis from ArmadilloCon program book: Why have the cyberpunks abandoned the future? Do William Gibson's "Pattern Recognition" and Bruce Sterling's "The Zenith Angle" evidence a trend? (And don't forget the pre-2001 "Cryptonomicon" of Neal Stephenson and "Zeitgeist" of Sterling) Are they science fiction? What makes them different from more mainstream techno-thrillers? What does it mean for the future of SF?
ArmadilloCon traditionally has a panel "What You Should Have Read This Year". The panelists are usually people who are closely familiar with science fiction, fantasy, or horror genres: most of them are book sellers (like Willie) or editors (like Diana Gill). In this panel they talk about new noteworthy books that they recommend to everybody who likes these genres. This year the panelists were Bill Crider, Willie Siros, Diana Gill, and Zane Melder.
Some memorable or amusing moments from panels where I didn't take enough notes to yield an article of its own:
Looking for an idea? Watch our panelists brainstorm.
What's the latest strange discovery? Our panel talks about the most recent results and odd topics they've seen.
Looking for new ground in speculative fiction, art and science.
John Scalzi's interview took a different format than the usual Guest of Honor interview. There was no interviewer; Scalzi paced back and forth, shooting the breeze with the audience. He probably didn't say anything one wouldn't find on his blog. It's how he said those things that made him so entertaining. He acted out various stories from his life as little skits, from a Hugo winner's attitude to getting to know 16-year-old girls. He also commented on Neal Stephenson, openly admitted to stealing from other authors, and talked about why he could not afford to be as polemical in "Old Man's War" as Heinlein was in "Starship Troopers". Finally, he revealed an unexpected fact about himself.
The pictures from ArmadilloCon 2008 can be found in my photo gallery.