Synopsis from ArmadilloCon program book: Why have the cyberpunks abandoned the future? Do William Gibson's "Pattern Recognition" and Bruce Sterling's "The Zenith Angle" evidence a trend? (And don't forget the pre-2001 "Cryptonomicon" of Neal Stephenson and "Zeitgeist" of Sterling) Are they science fiction? What makes them different from more mainstream techno-thrillers? What does it mean for the future of SF?
ArmadilloCon traditionally has a panel "What You Should Have Read This Year". The panelists are usually people who are closely familiar with science fiction, fantasy, or horror genres: most of them are book sellers (like Willie) or editors (like Diana Gill). In this panel they talk about new noteworthy books that they recommend to everybody who likes these genres. This year the panelists were Bill Crider, Willie Siros, Diana Gill, and Zane Melder.
Summary: The panelists are supposed to make up a science-fictional or a fantasy use for a random object. The objects are chosen by the audience. Some of them are a bit mysterious: their everyday function is not apparent.
Panelists: Bradley Denton, Scott Bobo (moderator), Jessica Reisman, Kurt Baty, James P. Hogan
Topic, according to the convention program: We just thought it would be cool to have this group discuss future possibilities.
What was said on the panel: Vernor Vinge found irony in the panel's "weaselly" title; are there technical errors in Vernor Vinge's works? When fans find excuses for the writer's technical errors; what are some of the most interesting recent computer-themed SF books? theological value of ubiquitous computing.
Images from ArmadilloCon 2003 can be found in my photo gallery.